sw-balken
  tonschacht
record label ///  7" + 12"
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vibracathedral orchestra:
the one you call the ghost train
cat # 010 / 7" / € 6.00 / ... read more
- out of print-

rosy parlane:
the peetoon files
cat # 009 / 7" / € 6.00 / ... read more

vote robot:
h.waiian blue
cat # 008 / 7" / € 6.00 / ... read more

hrvatski:
räume
cat # 007 / 7" / € 6.00 / ... read more

- out of print-

gate:
3M
cat # 006 / 7" / € 6.00 / ... read more

joseph suchy:
tau
cat # 005 / 7" / € 6.00/ ... read more

ashtray navigations:
end-of-the-pier vault
cat # 004 / 7" / € 6.00 / ... read more

a.f.r.i. studios:
room service (part 1–3)
cat # 003 / 7" / € 6.00 / ... read more

the new peculiars:
dance music 2000
cat # 002 / 7" / € 6.00 / ... read more

minit:
bootleg
cat # 001 / 7" / € 6.00 / ... read more
- out of print-

 

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tons004

ashtray navigations:
end-of-the-pier vault

"Ah, this guy. Fair at the top of the summit vis. English underground noise/ collage aesthetix, Ashtray Navigations is the solo outfit of young Phil Todd, our man from Leeds.
Having released several of his records I can safely proclaim that this man is a genius of the kind not found kicking a dustbin around street corners these days. His work sounds like little sculptures of found sound and objet trouve, kept together by plaster and tape, all frayed at the edges, warped and buckled under heat, and then re-shaped into these fantastically alien configurations. Five tracks on The “End-of-the-Pier” Vault, the first four fly by in about two minutes, the final track a seven-minute bleeder for overloaded guitars, tape scraps, altogether an unholy din the likes of which we here at Worlds of Possibility whole- heartedly approve of.
In other words, a real keeper. It might be up there with his Four Raga Moods and Tristes Tropiques albums, and the split 7”with Gang Wizard, as his best work. Phil’s output is a whole other world unto itself, a crazed maze of outsider invention, and if you’ve ever stumbled across records or tapes by Dogliveroil, A Warm Palindrome, The Hotel Left Accidentally Unpainted, Inca Eyeball, Dead Man’s Gravel, Jarvis/Joincey/Todd, To Suckle the Pups,
Target Shoppers, Anna Planeta, Blackthorne Stick, or countless others (really there’s too many), you’ve encountered the Todd-ster.
Plus there’s his on-again, off-again record label Betley Welcomes Careful Drivers. The guy’s also a totally lovely chap who is almost single–handedly responsible for getting me into American underground film, so I owe him big-time. Check it out man, he named one of his albums after the original title for Joseph Cornell’s Rose Hobart."
(worlds of possibility / jonathon dale)